13th (2016) Review

13th_filmScore: 5/5

“We may have lost the sheets of the Ku Klux Klan, but cleary when you see black kids being shot down… we didn’t clear this cancer.” – Charles Rangel

Slavery was abolished when the United States ratified the Thirteenth Amendment in 1865.

The 2012 film “Lincoln” focused on how Abraham Lincoln and his cohorts got the amendment passed by Congress in 1864. Director Steven Spielberg portrayed it as a major step towards full equality for all Americans, and there is no doubt it was.

But Constitutional amendments have consequences. The First protects all forms of speech including hate speech while the Second could not keep up with the rapid evolution of firearms. In Ava DuVernay’s “13th,” the consequences of the Thirteenth Amendment are explored.

The first section of the amendment reads (emphasis the film’s):

Neither slavery nor involuntary servitude, except as a punishment for crime whereof the party shall have been duly convicted, shall exist within the United States, or any place subject to their jurisdiction.

Today, one out every four Americans – a statistic from the film – is incarcerated; roughly 2.3 million people. According to the Prison Policy Initiative, 40 percent of those 2.3 million are African American even though they only make up 16 percent of the population. DuVernay uses “13th” to argue that because of 14 words, the United States became prison happy.

DuVernay demonstrated her filmmaking mastery in “Selma” but this documentary proves that she is one of the most articulate and informed filmmakers working today. Any filmmaker would have focused on the broader theme of mass incarceration without exploring the elements that contribute. DuVernay not only explores these elements, but she lingers on them just long enough for the rage to boil over.

With the slaves free there was a lack of available labor to rebuild the economy of the south. In addition to share cropping, white southerners also began arresting blacks for minor crimes so that they could be used as free labor. These arrests of black men created the myth that they were uncontrollable criminals, barely human.

But the fear doesn’t stop at that stereotype. “13th” contributes the massive prison population to Richard Nixon’s “law and order” campaign which planted the seeds for Ronald Reagan’s war on drugs. These are not new facts. Students of politics and history as well as the average stoner know that the war on drugs targets people of color more than whites.

But the film brings a larger context to this. The masterminds behind these campaigns knew exactly what they were doing – I will not specify because the anger needs to be experienced. These were not crusades for security and morality, they were diabolical strategies to consolidate the white vote for the Republican Party.

But politicians, regardless of their political affiliation, have to be tough on crime. Democrats like Charles Rangel and the Clintons supported harsh crime legislation because it became the new norm. Some even went as far as coining the term “super predators” – people who were beyond rehabilitation.

With an issue as heavy as mass incarceration it’s easy to end with resolution or at least hope. In “The Hunting Grounds” which tackles campus sexual assault, it ends with the growing support that victims have. There’s already outrage over the justice system and how it treats people of color. Institutions that were staunch opponents of these reforms are now becoming more flexible as the mood changes.

But DuVernay is too smart to let them slide. A professor from UC Santa Cruz makes it clear that history shows that when the establishment takes the lead in reforms, it usually leads to more repression. It leads me to think of Lyndon Johnson.

In addition to passing the Civil Rights Act, Johnson also initiated a war on poverty. He crafted his strategy with the help of both experts and the poor. This plan and the legislation that came from it came to be fittingly known as “The Great Society.”

“13th” is currently streaming on Netflix.

The Birth of a Nation (2016) Review

the_birth_of_a_nation_2016_filmScore: 2.5/5

“Birth of a Nation” is the story of Nat Turner and the slave rebellion he led. It is also the title of a 1915 DW Griffith film.

The Griffith film is incredibly racist, implying that African American men were sexual brutes who wanted nothing more than to ravage white women. But the women of the south are saved by the Ku Klux Klan, which means the country is saved – according to Griffith.

By giving his film the same title, director and star Nate Parker has turned the tables. Now, the white slave owner is the lustful predator and the black woman the victim. The heroes in this “Birth of a Nation” is the band of brothers led by Nat Turner (Parker).

Sometimes a film comes out at just the right time and “Birth of a Nation” was a long time coming. The century after Griffith’s film has been filled with racially charged violence and prejudice with whites being the main perpetrators. Romantics thought that it would have all ended when the country elected its first black president, but those tensions just became more veiled.

The refusal to acknowledge the tension coupled with unrest which resulted from a quick succession of police shootings of unarmed African Americans seem to have led up to this moment in cinema.

But that was only how it was marketed. What I saw was a much different film.

The real Nat Turner – as well as the Nat Turner of American lore – was a man who had visions of God telling him to free the slaves and annihilate the white race. By omitting that characteristic of Turner, what is left is a one dimensional hero figure – Beowulf. Parker’s Nat Turner is actually a divine figure. But he isn’t motivated to free the slave, instead he is motivated to protect women from lustful men, slavery for Parker’s Nat Turner almost becomes an afterthought.

In fact, everything that should have been explored in a film about one of the most controversial moments in American history appeared to be treated as afterthoughts. Never mind the complex relationships between free blacks and slaves, rich whites and poor whites and every other possible combination of those four groups. Never mind the intersectionality of race and class. Never mind the economics of slavery. What is important is Nate Parker – yes, I did that on purpose.

It becomes clear that Parker never wanted to make a movie about Nat Turner, instead he wanted to make a movie that would get Nate Parker more name recognition. It’s infuriating to think that “Birth of Nation” talks such a big game but walks such a small and self-serving walk.

The film that needed to exist should have been a character study within an origin story of the root of racial tension – or one of them at least. We need a film to come out that will help us cope with the ugliness that is racial prejudice so we can finally understand each other. If that’s why you want to see “Birth of a Nation” prepare to be disappointed.

Hillary Clinton makes stop at City College before June 7 primary

Originally posted on saccityexpress.com on June 6, 2016

Additional reporting by Maxfield Morris.

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Former Secretary of State and Democratic presidential candidate Hillary Clinton takes the stage in the North Gym. Photo by Zachary FR Anderson | Managing Editor | zachanderson.express@gmail.com

Outside the North Gym, hundreds of people waited to hear Democratic presidential candidate Hillary Clinton speak at Sacramento City College Sunday, June 5 — two days before California’s June 7 presidential primary.

Clinton took the stage between 6 and 7 p.m. as Rachel Platten’s “Fight Song” (Clinton’s official song) played. She was introduced by Congresswoman Doris Matsui, who also worked in the White House during Clinton’s tenure as First Lady to former President Bill Clinton. Matsui reminisced about when her husband, Congressman Bob Matsui, died, saying that Hillary Clinton was the first to call and offer her condolences.

The former Secretary of State’s speech focused on domestic policy. She shared emotional moments with the crowd regarding her time as a senator from New York during the Sept. 11 attacks as well as her experiences running the State Department during the 2011 siege on Osama bin Laden’s compound in Pakistan that resulted in the death of the infamous terrorist.

Focusing on connecting with the state’s voters, Clinton applauded California’s diversity calling it, “…as big as a country and as diverse as one, too.”

HILL2
Supporters listen to Congresswoman Doris Matsui (D-Sacramento) introduce Hillary Clinton in the North Gym. Photo by Zachary FR Anderson | Managing Editor | zachanderson.express@gmail.com

During her speech, Clinton applauded President Barack Obama for “digging us out of the ditch,” referring to the president’s efforts to strengthen the economy during the Great Recession.

“It is a fact that the economy does better when we have a Democrat in the White House,” said Clinton, who also indicated that the recession began during the presidency of Republican President George W. Bush.

Clinton also criticized Donald Trump, the presumptive Republican nominee, on key issues, such as his ability to be a responsible and reliable as commander in chief.

“Here’s somebody who in the last few weeks has insulted our closest allies,” said Clinton, “has praised dictators like [Kim Jong Un] in North Korea. Has advocated pulling out of NATO, which is our strongest military alliance. Has said in very cavalier [fashion] that he doesn’t really mind if other countries get nuclear weapons, including Saudi Arabia.”

Other politicians at the event also voiced their concerns regarding the business mogul’s ability.

“…All you have to look at is what’s happening in this country in the past week with this guy Trump,” said Sacramento mayoral candidate Darrell Steinberg, “calling out a judge because of his Mexican heritage and saying he can’t be impartial, applying the same logic to any Muslim judge. This is dangerous.”

Steinberg was referring to Trump’s recent comments regarding the federal judge overlooking the California lawsuit against Trump University, Gonzalo P. Curiel.

Steinberg endorsed Clinton as the next president.

“She’s eminently qualified,” said Steinberg. “She’s going to be respected around the country and around the world.”

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Sacramento mayoral candidate Darrell Steinberg greets Clinton supporters outside the North Gym. Photo by Zachary FR Anderson | Managing Editor | zachanderson.express@gmail.com

Nancy McFadden, Gov. Jerry Brown’s chief of staff, took a lighter approach. She compared Trump to the “Harry Potter” villain Voldemort by referring to him as “He who must not be named.” She justified this by saying that Trump likes hearing his own name.

“Who puts their names on steaks?” McFadden joked to the crowd that roared with laughter.

Before Clinton addressed the standing-room-only crowd, the first to speak was former United States Ambassador to Hungary Eleni Tsakopoulos Kounalakis, a Sacramento native. Other speakers included Assemblymember Kevin McCarty, Congressman John Garamendi and Sacramento Mayor Kevin Johnson.

Though knowledge of Clinton’s campaign making a stop in Sacramento had been released over a week earlier, the location remained undisclosed. It wasn’t until Thursday, according to Public Information Officer Rick Brewer, that the Clinton campaign contacted City College officials about holding the event on campus.

California residents registered as either Democrats or with no party preference may vote in the Democratic primary Tuesday, June 7.

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Ten Great Movies: The California Experience

Originally posted on saccityexpress.com on May 15, 2016

CaliBanner

California is where the world goes to make it in the movie business. The narrative of “making it” in Hollywood is ingrained into the very fibers of every wide-eyed drama student’s brain. But as native Californians, we know there is so much more than the façade that is Hollywood.

The California Experience is not one known idea. It is a collection of individual stories, that when forged together in tenacity and ingenuity, define the Golden State. The idea of California goes beyond the artificial world that Los Angeles socialites portray. Californians are as diverse as the landscape.

Though many movies have been set in California, few have been able to capture the spirit of its people. Here are 10 of them.

“Boyz n the Hood” (John Singleton, 1991): “Boyz n the Hood” quashes the stereotype that everyone in inner city Los Angeles is a thug. Tre Styles (Cuba Gooding, Jr.) had caring parents and good friends. The only thing that makes the police view him as a thug was that he was born in a neglected neighborhood, educated by neglected schools and born black. When Tre’s USC-bound best friend Ricky is shot down in the streets, his brother (Ice Cube) seeks vengeance and murders his killers that same night. The next morning, no reporters cover the three murders, Ice Cube’s character realizes that America “don’t know, don’t show and don’t care what happens in the hood.”

“Boyz n the Hood” is free to watch on Amazon Prime with a Starz subscription.

“Chinatown” (Roman Polanski, 1974): California could not sustain a population of almost 39 million without the complex system of canals and reservoir that make it a land of plenty. In the early 20th century, Los Angeles became too big to be sustained by the L.A. River, and the mayor realized that enough water from Owens Valley could be transported to the city via aqueduct. What ensued was the inspiration for Polanski’s “Chinatown.” It is true that agriculture is king in California, but food can’t grow without water, ergo, whoever controls water is king. Regardless of which resource is most important, what it all condenses down to is greed. If “Chinatown’s” antagonist–L.A. water department head Noah Cross (John Huston)–wasn’t so greedy, then he wouldn’t have been driven to deny water to the farmers of the North Valley, which would have created a domino effect in which most of “Chinatown” would not have happened.

“Chinatown” is free to watch on Amazon Prime with a Starz subscription.

“El Norte” (Gregory Nava, 1983): As xenophobia (unfortunately) takes center stage in the political conversation, I find myself thinking about how we benefit from the fruits of migrant workers. The myth that undocumented immigrants benefit from our tax dollars without contributing anything is blown out of the water in “El Notre.” When thugs kill Enrique and Rosa’s father, they decide to travel to America to seek a better life. The most chilling part of their journey is their mile-long crawl through a sewer when they are suddenly attacked by a swarm of rats. But the rats are not the only danger they faced during their epic journey, Enrique and Rosa came to America seeking a better life, but instead found a land that hated them. It is not until Rosa dies that she finally finds a home.

“El Norte” is available to rent on Amazon Prime and iTunes.

“The Endless Summer” (Bruce Brown, 1966): On the last day of every year of middle school, my classmates and I would all pile into school buses and go to Refugio Beach. In the mornings it was foggy and the water was a dark turquoise, I always remember thinking that I wanted a shirt with that color. When the sun was out, the water still cold, but I still stand by the statement that the best beaches are in Santa Barbara. It is true, that the objective of many surfers is to find the perfect wave and yes, they will literally go the ends of the earth to find it. Bruce Brown’s documentary only follows a group of surfers on their quest. But as far as audiences were concerned, they could have been searching for Shangri La and “The Endless Summer” would have been just as fun and great as it is now.

“The Endless Summer is streaming on Netflix.

“The Grapes of Wrath” (John Ford, 1940): It is a sad truth, but many who come to California seeking success will never find it. When the Dust Bowl destroyed the Midwest–known as America’s “breadbasket”–millions made the epic trek to California with the belief that work was limitless. When the Joads arrive, they quickly discover the truth that it was all a lie. Though the film adaptation ends with more hope for the future than the original John Steinbeck novel, the boundless impact the Okies had on the California landscape and economy is brought to life with the same spirit and anger.

“The Grapes of Wrath” is available to rent on iTunes.

“Milk” (Gus Van Sant, 2008): As California goes, so goes the nation. Since the 1970s, the LGBTQ+ community’s home base was the Castro neighborhood of San Francisco, and Harvey Milk was known as its mayor. His efforts as a civil rights leader and the spirit of San Francisco’s liberal community started the gay liberation movement in the 1970s. Gus Van Sant photographs San Francisco with magnificent style and awe, transporting audiences back in time to when anger fueled protest. The scenes of crowds marching through the Castro seem like archive footage from the era, and the score by Danny Elfman pays tribute to Tony Kushner’s “Angels in America.” Milk believed that politics was theater – and it is – but he also believed that to be free you have to fight, which is what he did.

“Milk” is available to stream on HBO Go and HBO Now.

“Monterey Pop” (D.A. Pennebaker, 1968): During the early hours that marked the final morning of the Monterey Pop Festival, director D.A. Pennebaker used the audio from Country Joe and the Fish over images of the hippie attendants awakening and rising with the California sun. They’re drifters, slackers and most likely higher than the B-52s over Vietnam. To them, the festival was just another way to turn on, tune and drop out as Timothy Leary put it. Little did any of them know was that they were witnesses to pop culture history. To many, the Monterey Pop Festival was a beta release for Woodstock. But some – including music writer Rusty DeSoto – would argue that Monterey Pop was much more important to the development of pop music than Woodstock. Monterey Pop is where many of rock ‘n’ roll’s most influential artists, like Janis Joplin and Otis Redding, would be introduced to the world.

“Monterey Pop” can be bought through Amazon or on the Criterion Collection website: https://www.criterion.com/films/720-monterey-pop.

“Orange County” (Jake Kasdan, 2002): Though Shaun (Colin Hanks) thinks that Orange County isn’t the best place for an aspiring writer to live when compared to the intellectual world of Stanford, he realizes in this film that his friends and family are his inspiration and that stupidity and shallowness are everywhere.

“Orange County” is available to rent on Amazon Prime and iTunes.

“Sideways” (Alexander Payne, 2004): One of the benefits of California’s diverse range of climates is that it has become an excellent region for producing wine. Napa is the most famous, but I – along with Alexander Payne and author Rex Pickett — would argue that the best California wines comes from the Santa Ynez Valley. “Sideways” is a tragicomedy that follows two middle-aged men’s journey through Santa Barbara’s wine country. Payne treats the Santa Ynez Mountains with the same delicacy and sexuality that Federico Fellini used for Italy in his films, creating a fantasy world. Even the natives seem too good to be true. Miles (Paul Giamatti) meets a Maya (Virginia Madsen) who shares his enthusiasm for wine but with greater passion. Maya’s speech about the life of wine is so beautifully crafted, the audience can feel Miles slowly falling in love with her. In that moment it didn’t matter what they were drinking – as long as it wasn’t Merlot.

“Sideways” is free to watch on Amazon Prime with a Starz subscription.

“Topaz” (Dave Tatsuno, 1945): During World War II, Japanese-Americans living on the coasts were taken out of their homes and sent into the interior. No doubt this dark chapter in American history had a great effect on the Japanese American residents living in California. One of these Americans was Dave Tatsuno, who illegally documented his time in the Topaz camp in Utah to make this film. There’s nothing extraordinary that happens in Topaz; it’s mostly daily life. But after the initial shock has worn off, it becomes clear that Americans have the ability to make the best out of the worse situation. Their country told them that they were enemies of the state, but when there are children smiling and ice skating, playing in the snow, and holding baseball games it becomes abundantly clear that they are not enemies.

“Topaz” is available to watch in black and white on YouTube: https://www.youtube.com/watch?v=KboirnCzius.

Honorable Mentions:

“Almost Famous”

“Bottle Shock”

“The Debut”

“East of Eden”

“The Graduate”

“Harold and Maude”

“The Right Stuff”

“Stand and Deliver”

“Tortilla Soup”

“Tangerine”

Ballot of apathy

Originally published in the Express on May 5, 2016

Student leadership to generate involvement in Student Senate, Club and Events Board

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City College student Melody Jimenez, political science major, speaks to students in the quad during candidate forums on April 7, 2016. Jimenez is running for the position of Student Senate Secretary of Legislative Affairs. The position is also contested by Savannah Mendoza. Hector Flores, Staff Photographer. | hectorfloresexpress@gmail.com

Despite a low voter turnout and a majority of candidates running unopposed, City College students have selected a new slate of Student Senate and Club and Events Board members to serve in the 2016—17 academic year.

Current City College Student Senate president Marianna Sousa was elected by students from all four colleges as Los Rios student trustee, a position she will assume June 1.

Student Leadership and Development Coordinator Kim Beyrer released the results of the elections April 15, a day after the elections.

However, most of the candidates, including the Senate vice president, ran unopposed. No Senate presidential candidate was listed on the electronic ballot that students accessed through City College eServices.

The lack of student participation from the main campus and outreach centers resulted in uncontested positions being filled by appointment, according to Beyrer.

“There are reasonable [causes as] to why a lot of students don’t participate,” said Beyrer, “whether they have to work, they have families, they have other responsibilities.”

The Senate officers elected were Raymond Concha for vice president, Joshua Feagin for treasurer, Alan Neftali Hernandez for secretary of technology, and Melody Jimenez for secretary of legislative affairs. The five senators elected to office were Keanna Laforga, Emily Lai, Julianne Maninang, Gerardo Mendoza and Huinan Pang.

After the elections, the Student Senate voted to fill the presidential vacancy by appointment at the April 20 meeting which was held in the Student Center. At that meeting, secretary of legislative affairs-elect Melody Jimenez was nominated and appointed Senate president, pending approval of City College interim President Michael Poindexter.

The Club and Events Board (CAEB) faced similar issues with many candidates running unopposed and other positions remaining vacant after the elections.

Moises Ramirez was elected CAEB president, Leo Molten vice president, Ashley Michelle Rowe secretary of public relations, Zachary Silvia secretary of technology, and Georgia Sherman project coordinator.

To generate more interest in student government, the Student Advisory Council (SAC), a committee composed of associated student body presidents at all four Los Rios colleges and the student trustee, have discussed the possibility of recommending to the district stipends for some student government positions, according to Student Trustee Cameron Weaver at the April 13 City College Student Senate meeting.

Weaver said that three of the four colleges in the district must indicate support for the idea before it can be discussed on the district level. The student senates can do this through either an official resolution or statement of support. To date, only two colleges have decided whether to support the idea.

According to Weaver, Folsom Lake College decided against the idea, recommending that other options, such as priority registration, should be explored rather than any forms of financial compensation.

Tony Tran, the Senate president at Cosumnes River College, said that the CRC Student Senate informed Weaver that they intend to support the idea in full.

Weaver said that he is still waiting on responses from City College and ARC.

“The decision still ultimately lies with the district, however,” said Weaver.

The Jungle Book (2016) Review

Originally posted on saccityexpress.com on May 4, 2016

The_Jungle_Book_(2016)Score: 4/5

“And all the old romance, retold
Exactly in the ancient way,
Can please, as me they pleased of old,
The wiser youngsters of today”

-Robert Louis Stevenson

Disney’s first adaptation of “The Jungle Book,” the 1967 animated film, was not entirely beloved. Instead, the songs were beloved while the work as a whole was forgettable, at best.

Director Jon Favreau does not update the tale of Mowgli for modern audiences. Instead, he allows the folklore to linger and push the plot forward – as it was meant to do.

Like “Peter Pan” or “Winnie the Pooh,” “The Jungle Book” is part of the canon for English-speaking children. Mowgli always represented the wild child within. To children, his life was ideal. One day he would be running with wolves, and the next day he would be fighting off monkeys with bears and panthers, while also hanging out with elephants. What’s not to like?

As far as the film’s special effects are concerned, they are not realistic. But that is because they are not meant to be. “The Jungle Book” is not supposed to be an achievement in computer effects. Instead, the jungle and its animals are presented through the point of view of a small boy.

That’s not to say that the film does not pay homage to the cinemasphere. The temple where King Louie – masterfully voiced by Christopher Walken – and his tribe of primates dwell is similar to Col. Kurtz in “Apocalypse Now.”  Even Louie, always draped in shadows, has taken the form of Marlon Brando.

Walken is not the only iconic voice in the film. Ben Kingsley is the voice of Mowgli’s mentor, Bagheera, and he brings his unique English stuffiness and harrumph to the character. I suppose that is because Bagheera is a proxy for Rudyard Kipling, the British author of the book on which the film is based..

But to cast Scarlett Johansson as the voice of Kaa was a bold choice of brilliance. In the scene when Mowgli first meets the great python in her canopy home, the images are of a biblical nature. Johansson’s seductive voice slithers with the movements of the serpent. If Kaa were a male, perhaps the forbidden sin of desire would have been absent. But Kaa’s femininity gave the scene an eeriness that will make it unforgettable for years to come.

Kipling wrote “The Jungle Book” for his daughter Josephine, who died at the age of 6. Originally, the book was a collection of short stories set in British-ruled India. Many of the stories feature a feral child called Mowgli and his interactions with the animals of the jungle.

A child cannot survive in the jungle forever, which is the great metaphor for growing up. Bagheera tells Mowgli that he can only be safe from Shere Khan, a tiger who forbids humans from entering the jungle, by living with man. Like when Wendy in “Peter Pan” is told that she will have to move out of the nursery, it is painful for Mowgli to hear, but it must be done.

“The Jungle Book” is currently playing in theaters nationwide.

Confirmation (2016) Review

Originally posted on saccityexpress.com on April 30, 2016

Confirmation_posterScore: 2/5

HBO’s latest original film, “Confirmation,” is a minor addition to the channel’s recent repertoire of political dramas in the same strain as 2008’s “Recount” and 2012’s “Game Change.”

But instead of exploring the behind-the-scenes operations of political campaigns, the film instead explores the confirmation process of Associate Supreme Court Justice Clarence Thomas.

Even before Thomas’ colleague Anita Hill came forward with her sexual harassment allegations against him, Thomas was a figure steeped in overwhelming controversy. As a textualist that believed the Constitution must be interpreted as it was originally written, he was accused by many liberals of not caring about civil rights.

Regardless of the controversy surrounding Thomas’ jurisprudence, the Senate – at that time controlled by the Democrats – was sure that he was a shoe-in for the court.

It wasn’t until a staffer for Ted Kennedy found Hill’s name that she ever felt the need to come forward.

Hill is portrayed by Kerry Washington, who doesn’t at all look like the real Hill, but instead embodies her. She embodies how Hill carried herself during the proceedings and how she anticipated the waves of criticism and skepticism that were bound to follow.

Wendell Pierce portrays Thomas, not as a man who knows he did something wrong and is trying to cover it up, but as a man who is sure that he has done nothing wrong. To him the hearings were a political circus, a public humiliation, or in his own words “a high tech lynching.”

Overseeing these hearings is the Senate Judiciary Committee, chaired by Joe Biden (Greg Kinnear). The members of the committee are all men and Senate lifers: old segregationist Strom Thurmond, Republican yes-men Alan Simpson and Arlen Specter, and failed presidential candidates Paul Simon, Ted Kennedy and Biden.

Biden’s leadership style throughout the hearings was centered on compromise, to a fault. Because of his approach, the GOP members were able to walk over him and Hill was left abandoned.

However, these powerful dynamics and themes of gender and race are completely ignored by director Rick Famuyiwa.

Instead, the main focus that “Confirmation” has is on the personal struggle of Thomas at home. Too much time was spent at Thomas’ Washington, D.C, townhouse as he ignored Hill and the hearings. This came off as if Thomas was the true victim of the entire affair, which is far from the truth.  Famuyiwa tried to find two sides to a story that was clearly an all-out assault on a victim of sexual harassment. This doesn’t come from research, this comes from scenes in the film.

There’s a moment when Republican members of the committee are called inside the White House by Chief of Staff Kenneth Duberstein (Eric Stonestreet) to discuss tactics for the hearings. There were only two ways the narrative could end: Hill’s story ends up being true (meaning Bush nominated a pervert), or Hill is a liar. As history shows, the committee worked as hard as they could to prove that the latter was correct.

Orrin Hatch read passages of “The Exorcist” to imply that Hill plagiarized one of the harassment accounts. Missouri Senator Jack Danforth consulted with psychologists to see if a mental illness existed that would cause Hill to create fictional scenarios in her head.

When it comes down to it, this was not a high-tech lynching of Thomas. This was the Republican Party slut-shaming Hill.

But this was the movie that could have been. I can no longer dwell on what could have been. What exists now is a film that can only be described as entertaining at best, and disappointing at worst.

“Confirmation” is now streaming on HBO Go.